classes

A selection of topics I’m passionate about, and love to teach.

11th century Qur’an in Floriated “New Style” script

SCRIBE LIKE A GRAPHIC DESIGNER

Modern graphic designers have various techniques to ensure their designs are clear, communicate what they intend, and serve their needed function.

But few of these techniques are modern. Scribes and illuminators in our period may not have thought about them in the same terms, but they certainly employed them.

Come along and learn a handful of basic design principles, see period examples, and learn to see where period creators made choices that our modern eyes also appreciate.

Regardless whether you are reproducing existing pages or interpreting a style to create something new, weaving these techniques into your design will help you produce effective and beautiful scrollwork.


carpet page from the Irish Gospels of St Gall

BEYOND KELLS

When people think about Insular manuscripts, most know Kells, and many know Lindisfarne. But while these books are definitely lush, there are so many other options out there for us to use in our scrollwork.

In this class we’ll dive into a handful of other Insular manuscripts, discuss achievable design for scribes of varying experience levels, explore the little details that make each manuscript interesting, and see examples of scroll layouts created from extant pages.

By the end of the class I hope you’ll feel more prepared to tackle these early-period projects, and eager to embrace a broader world of Insular art within your own scrollwork.

So join me, and step further into the gorgeous world of Insular manuscripts…beyond Kells.


Luke’s page from the Royal Prayerbook

ANGLO-SAXON MELTING POT

New!

The manuscript art of Early Medieval Britain was truly that of a multiculture formed by migration, assimilation, and synthesis.

In this class we’ll begin to explore the regional differences across the island; trace its gradual evolution as local styles were influenced by and combined with art from across the Channel and beyond; and delve into how—and why—these manuscripts build a stylistic bridge between the Late Iron Age and the Medieval British world.

By the end, I hope you’ll have a finer understanding of Anglo Saxon manuscript art, as well as the cultural mergers the period represents, so that when it comes time to create an Early Medieval British scroll…you’ll be ready.